They were fitted with Western Electric 713A compression tweeters and 12-inch JBL or Jensen woofers. Regarding speakers, especially horn speakers, we are likely all familiar with how people talk about being far enough away when listening to allow for better "driver integration," where sounds no longer seem to becoming from drivers that can be spaced pretty far apart. Stereophile reviews Klipsch RP-600m. Whether DSP is easier is therefore moot. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. In his own words: And what did we give up to gain such easy access to all those things? I had to 'create' the sound of the bass that I wanted through driver/cabinet/crossover work, and that resulted in a test that showed less than flat response. I agree with the person above who was suspicious about Art's room size (no matter that Klipsch 'approved') being to small to let the timing issues integrate more favorably. When I first tried Klipsch's bookshelves way back when (62i or something), the seller told me they'd be 12db louder at my seating position given same amp level. (You actually do not want to get into matters of distortion.). For example, to my ears a quality implemented all-horn setup has an attentiveness and "ignition" at lower volumes (i.e. I don't try for bad measurements and good sound, I try for good measurements and good sound. Here to tell you that on Tuesday March 17, we're launching a published edition of Paul W. Klipsch's cult audio newsletters, the 'Dope From Hope' via Kickstarter. Much of what has been learned in the years since the Khorns "inception" back in the 40's is integrated in newer horn designs that need not comply with a vintage approach, and that truly gives you more of the ability to have your cake as well as eating it too. In its latest rendition, this historic speaker boasts an all-new neodymium tweeter, premium wire management system, and fully-enclosed design for flexible placement. https://www.stereophile.com/tubepoweramps/805quad/index.html. Very impressive demo. Some serious DSP and tri-amping would help this beast out immensely. The La Scala AL5 has three drive units, all horn-loaded. It is a significant improvement to the tightness and control of the bass, as well as the definition and musicality of the upper bass (low midrange). Working with modeling clay, I noticed that the more clay I put into the corners of the horn, that tended to eliminate that beaming. I thought it only fair to shoulder some of the load, therefore, by reviewing a small design that had sounded interesting when I heard it at a press preview, the Klipsch RB-15. There was a shop in Ferndale California, really beautiful all-wood construction, probably built in the early 1900's. ...... See AnalogPlanet's visit to darTZeel facility :-) ........ May be AD could borrow a pair of NHB-468s, and tell us how the K-horns and darTZeel sound together :-) ......... Of course, it would be lot less expensive to use McIntosh MC462 (reviewed by Stereophile), if AD chooses to use it, for a follow-up review :-) ......... Any amp(s) with the first two numbers 46 may work fine :-) ........ Volti Audio Vittora, reviewed by AD without measurements, looks very similar to Klipsch La Scala AL5 reviewed recently by Hi-Fi News :-) ......... "If I have to choose, I will choose those products that measure well and also sound great ........ Stereophile is one of the very few magazines that measures and also listens to the audio products". The Klipschorn is one of the most enduring and famous loudspeakers in the world. Klipsch had updated the iconic Klipschorn, the first speaker founder Paul W. Klipsch designed and built in 1946-47 and the “only speaker in the world to be in continuous production (and remain relatively unchanged) for more than 70 years.”. AD could do some follow-up reviews :-) ........ Too late: Because we needed to take photos for the cover--and also because Art needed to return to his reference system in order to review other stuff, the Khorns were removed promptly and shipped out. After all any audio equipment is made with test measurements and ee calculations, if not, I wouldn't even spit on it, it'll be rubbish. I too noticed that Hervé likes the La Scalas with his big amps (a review of which, by the way, is forthcoming). More than the other two amps I tried, the Luxman made the Klipsch's bass range come alive, especially when enjoyed from its 8-ohm outputs. We can't be questioned when we listen to $1000 production loudspeakers, even when they run a few times as much. I say all this as a Klipsch lover - I have a pair of heresy and a pair of La Scala speakers and they are lovely. all landed with noting problems with timing issues. Higher efficiency yields greater No distortion tests, no polar plots, no tone-bursts, no cavity-noise in db. They played for me ZZtop La Grange at live levels. Impact. ... wretched excess with horn loaded speakers might best be defined by the home system of Richard Burwen: The review tracks to my own listening, almost went with RP-600M but wanted to try the LS50 as my last listening room set were Klipsch. improving low frequency performance. Yes, J-10 was and still is a great writer. Discuss: Klipsch Klipschorn Sign in to comment. Sure. To date Stereophile has done a good job separating hearing from the microphone. The final result will be a handsome cloth-wrapped, hardcover book with 400 full-color pages and smyth-sewn binding. Basically it is like going to a small jazz club but the performer is a stereo rather than a jazz combo. I like the way they sound, and it's not worth it to me to change that sound so that the measurements look better. This is precisely what Art did. Combing the experience of audio pros reveals and confirms that historical audiophile preference has indeed identified good-sounding speakers and for very specific reasons, and not the current trend of what they do in directions other than at the listener. That analogy is valid. It's surprising as it isn't to see JA effectively siding with Mr. Villchur's statements, when the latter is the man promoting his own invention to cater to buyers who're mostly concerned with size and looks. The Klipschorn is the only fully horn-loaded loudspeaker available to consumers. A loudspeaker simply cannot be snap-shotted like too many of us seem to want to believe. This in no way excuses the potential for ham-fisted design, but it is also not the casual critic's claimed authority on good design. When the speaker is positioned tightly in a room's corner, the floor and converging walls become part of the horn and contribute to low-frequency gain. Until then assumptions about DSP vs analog filters naturally remain just such conjecture. These really aren't, to me, small room speakers. REVIEW: Klipsch klipschorn Speakers Review by Randy Bey at Audio Asylum What can I say about these speakers? As mentioned not a thundering bass but instruments do sound natural with great attack and presence. Seriously...you guys did not do a good job on this one. Who wouldn't want that; it's all for the good. To the efficiency point, a quote from the Art Dudley Klipschorn review: "In the years since the Klipschorn's debut, loudspeaker technology has progressed in many ways. This shows the same information as a polar plot in what I feel is a more easily comprehensible manner. Problem seems to be 'quasi-knowledge' of some of the commentators :-) ......... Those measurements are not what you expect from a $15k speaker, good luck selling these Klipsch today at that price, back in the 50-60's maybe. Going on to further claim sonic superiority from a 1/4 size package with low sensitivity is really wanting to have your cake and eat it too. In that case, "Nervous Breakdown" can happen :-) ......... We were waiting for you to be the 100th commentator on this Klipschorn forum, Ortofan :-) ...... Read, Ken Pohlmann's article 'Are you a watch guy?' It might have been useful to inquire which amp(s) ... Stereophile a magazines that measures and listens, Measurement technique, explanation leave a lot to be desired. ps. Hands On Review - Duration: 3:51. -Whether a DSP'd KHorn would blow the mind is unknown. Natural-sounding dynamics. 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