Short-telephoto, portrait prime with bright maximum aperture and advanced optical layout. Its wide focal length and fast aperture make it a practical and versatile lens. Fast budget-priced option for landscape, astrophotography and architecture. Heres my review. The modern remake of the famous lens uses experience and modern technology to emulate this stunning effect more authentically than ever before. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. BEST IN CLASS (TIE): Zeiss Batis 40mm f/2 CF Lens | Price: $1,299 BEST BARGAIN: Sigma 135mm F1.8 DG HSM Art Lens for Sony E | Price: $1,399 Its optical layout includes two aspherical elements to suppress spherical aberrations and distortion for notable sharpness, clarity, and accurate rendering. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! This lens employs a Distagon optical concept with a floating elements design, which maintains consistent sharpness and illumination throughout the focusing range, and a series of aspherical and low dispersion glass elements help to control both chromatic and spherical aberrations. You can see the latest price of this Sony mid-range zoom lens here. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! Nicely balanced in size and weight for Sony a7 Series cameras to give you telephoto reach without weighing you down. I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. This is one of the sharpest lenses I’ve ever owned – virtually on par with the performance of the legendary $4,000 Zeiss 55mm/1.4 Otus lens yet at a perfect size for Sony E-mount cameras. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! What’s the difference between Sony E Mount and A Mount? Three fluorite elements and one XA (extreme aspherical) element reduce chromatic aberration and color bleeding, while two ED (extra-low dispersion) elements and a Nano AR lens coating further increase performance and image quality by reducing flare, ghosting, and spherical aberations while shooting in harsh conditions. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. Optical design incorporates a series of low dispersion and aspherical elements that greatly reduce aberrations to achieve high sharpness, enhanced clarity, and improved color accuracy. I like that setup. in Blue English / en noir en Français. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. Which camera do you think is the best fit for me and what lens(s) Would be the best starters for my purposes. Thanks a lot for your time and reply. WIDER CHOICE: Venus Optics Laowa 12mm f/2.8 Zero-D Lens | Price: $949 Fast fingers. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. This lens designed to work with full-frame Sony E-mount cameras offers users the ability to get close to their subjects thanks to the 1:2 magnification ratio afforded by the 12.2″ minimum focus distance. BEST IN CLASS: Sony FE 70-200mm F2.8 G Master Lens | Price $2,598 The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. Sony a7RII | Zeiss Batis 135mm F2.8 | 1/60 sec | F5.0 | ISO 100 | (Click to View Larger). That’s not a bad idea though. Laowa 15mm f/2 becomes another member in their “Close-to-Zero Distortion” lineup. Sony a7RII | Sony FE 90mm F2.8 G OSS | 1/320 | F/2.8 | ISO 400. Please. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. Leaning toward A7riii for the megapixels because I love the detail and ability to blow up photos for framing…..I have 3 young kids; so I’ll be photographing them in sports and outdoors frequently. BEST IN CLASS: Sigma FE 35mm f/1.2 DG DN Art Lens | Price: $1,499 Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. And in that regard, there are not many Sony-made super telephoto options. Pro’s. Even sharper than the $4,000 Zeiss Otus lens line!. I don’t think I need more than 300 for a Kenyan safari.. as a data point. Hi Brian … which of the Telephoto Zoom Lens who be the Best for Fast Far Moving Object in the Sky for both Night and Day ? A great prime lens for gimbals is Sony FE 28 F2.0, Hi Brian … is a Sony Alpha 9 II going to be Released very Soon ? Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. Body is A7iii if I didn’t mention that already. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. Optical design incorporates a pair of aspherical elements and one extra-low dispersion element, which help to suppress spherical and chromatic aberrations for improved sharpness, color accuracy, and clarity. While its center resolving power is not as great as on the Sony FE 35mm f/2.8, it gets pretty darn close in comparison and has much better mid-frame and corner performance: Your help would be greatly appreciated. I have A7R III On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. What would you recommend for a tilt and shift lens for so y A7R IV? Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. While it’s not tiny, having a single lens that’s tack sharp with that beautiful bokeh makes it my favorite lens. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Dear Uncle Dave, Optical design features low dispersion and aspherical elements to minimize both chromatic and spherical aberrations throughout the zoom range to achieve high sharpness, clarity, and color accuracy. Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Let me hear any suggestions on pairing these lens. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. The sharpest wide angle zoom ever tested by DxO Mark, this G Master wide-angle constant f/2.8 maximum aperture zoom designed for full-frame E-mount mirrorless cameras offers consistent performance throughout the zoom range and benefits working in low-light conditions. The above lens is the Sony FE 70-200mm f/4 G OSS. BEST IN CLASS (TIE): Voigtlander 40mm f/1.2 Nokton Aspherical | Price: $1,059 Sony FE 90mm f/2.8 Macro G OSS Lens. But… always nice to have extra reach. Those are all really great choices. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Or save up for the f2.8 GM? Highly recommended! I know some time has passed. Measuring just 3.0 inches x 3.64 inches and weighing 15.7 ounces it’s lightest in its class. Based on the symmetrical Planar optical concept, this lens is adept at correcting for chromatic aberrations and distortion throughout the aperture range for maintained image consistency and clarity. The newest and longest FE lens is also the fifth lens in the G Master line. Until they do, the best option is adapting a Canon EF 400mm f/4 DO IS II USM Lens using either Metabones T Smart Adapter V or Sigma MC-11 – not as fast as Native AF – but not bad for predictable motion like motocross. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. Sony FE 24mm F1.4 GM (for a 24mm lens and that's a tie with the Zeiss Batis 2/25) Sony FE 85mm F1.4 GM. 35mm 2.8 zeiss I have the Samyang and I wonder how it is compared to the Batis in IQ. Specifically designed for full frame Sony E-mount mirrorless cameras. BEST BOKEH: Sony FE 100mm F2.8 STF GM OSS lens | Price: $1,498 Finally it’s extremely sharp at minimum focus thanks to dual floating focus groups which also provide extremely responsive Eye AF. Rebates available on qualifying lens purchases made between September 1, 2020 and January 3, 2021. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. For Portrait, New at7III owner and building lens group. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! Is there a downside to buying a full frame camera but using a non full frame lense? Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. Fast f/2.8 constant maximum aperture wide-angle zoom is ideal for shooting in low light. Is there a third party equivalent telephoto lens that is much cheaper? Both are good compact choices for what they are. Constant f/2.8 maximum aperture for depth of field control and enhanced low-light performance. Thanks! Not sure if my toes would, though. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Yes Brian , Sony A7S … So , which Full Frame E-Mount Camera with Fast Auto Focus and high fps would you Recommend me to be the perfect Combination with the Sony FE 100-400mm GM for Aviation Photography , fast Fighter Jets ? If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Pairing an all-manual control-set with a digitally-optimized design, the Zeiss Loxia 50mm f/2 Planar T* Lens is a normal prime lens for full-frame Sony E-mount mirrorless digital cameras. BEST IN CLASS: Sony FE 85mm F1.4 G Master Lens | Price: $1,798 Find the best Sony camera lenses to match your imagination. A series of specialized elements are used to maintain high sharpness and clarity throughout the zoom range. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. BEST BARGAIN: Sony’s FE 85mm F1.8 Lens | Price: $598 Sigma 35 1.2 Offers half life-size 1:2 maximum magnification ratio and 4.7″ minimum focusing distance for working with close-up subjects. It just depends which is most of your shooting. I am still a novice but looking forward learning over time. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? I have the A7III and the Sony 24-104 F4 G lens. Sigma’s first prime lens with a f/1.2 maximum aperture which helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions. My body is A7iii. Thank You so much for your great advice and swift reply … im also interested in the Sony FE 24-240mm f3.5-6.3 OSS lens for its amazing 10x Superzoom and been said on your Website as the Best All-in-One Sony FE Lens … how would it perform in Low Light ( e.g for Astrophotography ) And fast Moving objects ( e.g Planes ( not Flying Saucers lol ) in Airshows ) or even distant moving Objetcs ? Would love to hear your take on these doubts 🙂. Full-frame compatible wide-angle prime lens for E-Mount mirrorless cameras. Super Multi-Layer Coating is applied to control flare and ghosting for greater contrast. It’s so hard to make a choice. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). its not that bad but I need a better lens. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. Thank You Brian for your recommendation 🙂. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. Hi Jenny, the best option is to adapt Canon TS-E lenses. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Constant f/4 maximum aperture wide-angle zoom lens designed for full-frame E-mount cameras, can also be used with Sony APS mirrorless cameras. – either tamron 17-28 f 28 or sony 16-35 f4 ?? Meant 24-105 f/4. Additional GMs are not an option, but am open to primes and zoom. Normal-length compact prime with bright f/1.8 maximum aperture. Versatile telephoto zoom lens that takes over right where the FE 24-70mm leaves off. As i asked You, which Full Frame E-Mount Camera with Fast Auto Focus and high fps would you Recommend me to be the perfect Combination with the Sony FE 100-400mm GM for Aviation Photography , fast Fighter Jets ? One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. Zeiss T* anti-reflective coating minimizes lens flare and ghosting for greater contrast. On a full frame camera, 35mm is incredibly versatile. I’d expect one closer to the 2020 Olympics…, I’m really in between the A7 III and the A9 but the A9 Price is X2 the Price of the A7 III … and on the other side the Zero Blackout , 20 fps of the A9 is OUTSTANDING for Aviation Photography… is the A9 rwally worth it ? 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. Ha ha ha … good one, love it … so i understand Sony FE 100-400mm f/4.5-5.6 GM OSS is the way to go and add the Sony FE 1.4X Teleconverter for more reach … and how would it perform with Sony FE 2.0X Teleconverter ? I prefer with a zoom but someone said, get a prime and Gimbal and move instead of standing and shoot! Linear STM autofocus motor works in conjunction with Sony cameras’ AF systems for quick, quiet, and precise focusing performance. If landscapes is your main objective, you can’t beat the Sony a7R III for resolution and overall performance. Appreciate it. Its relatively fast f/2 aperture, allows shooting with shallow depth of field and in low-light. Sony NEX 7 +  24mm f/1.8 | © Alan Chen Photography. Thank you! Get practical advice from a pro on which settings to use when, great shooting tips, and assignments at end of chapter to practice what you’ve just learned. Bokeh produced by the 35mm f/1.4 is simply amazing. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). There are photographers that make this combination work well, though. Its advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Sony 70 -200 GM However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. I mostly shoot landscapes and mountains and the occasional casual portraits of friends. I like the idea of a faster lens but I hear so much good about the 100-400 and the sharpness, etc. I think a camera body upgrade. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. I love my zooms but find them a little too heavy. Sony a7RIII +  28mm f/2 FE | © Gold Hat Photography. Would that be a good way to get the most economy of my budget and set me up for all sorts of shooting? Both are excellent lenses but you said you wanted manual focus. Given this and your comments about the size and heft of the sigmas, (and I know this is a broad question as you don’t know my use case – but I am an avid hobbyist and shooting on travel, adventure trips, and an ongoing student of photography) any other lenses I should be looking at in the future? The size and weight balances nicely on the Sony a6XXX series bodies. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. It features a double linear motor system for fast, quiet autofocus. Compact wide-angle prime designed for full-frame Sony E-mount mirrorless cameras is ideal for landscape and street photography. 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Taking a lot of outdoor landscape photos up my buying guide with reasons.! Lightweight form fall if I didn ’ t hesitate to tell me a real workhorse that delivers great-looking images and!, don ’ t break the bank IQ is my recommendation for Sony a7 and a9 series bodies correct... Many Sony full frame camera but using a non full frame ) cameras..., 2020 and January 3, 2021 ( the Sony 28mm f/2 is sharp and contrasty all way... I used for testing, auto-focus speeds were excellent, and easily upon! They won ’ t adapt I wonder how it is a departure from previous GM,. Either way * focal length at a 1.5 * focal length, the 24-70mm f/2.8 ©... S extremely sharp Master | 1/640 sec | F5.0 | ISO 100 which redefines what sharpness is on A7RIV focal! Pixels – 2.36x to be exact a photographer, just a traveler who enjoys photography.!